- sitting at desk 'working'
- Seymour is making a mess backstage, Mushnik (me) is shouting off asking what he has broken now!
- Yiddish dialect line: "Aron g'vorn g'voxen, akebebble, mit tzibeleh."
- leave the shop on the line "Look, God, what an existence I got..."
- be DSR by the line "So how do you intend to better yourselves?"
- freeze for the start of Skidrow, then follow choreography noted in the 'Skidrow' post
- seated at the counter after the song
- move to change the sign on the door on the line "don't bother coming in tomorrow"
- stand in between Seymour and Audrey on the line "What, what, what..."
- sit at counter on the line "I'm closing this God and customer forsaken place"
- move to the door for "Do you have any idea how ridiculous you sound?"
- Da Doo choreography as noted in the post titled 'Da Doo'
- after the song, return to the staging that was blocked before the song, with the same face held throughout both the entrance of Carl and through 'Da Doo'
- sit at counter on "yessir, right away, sir!"
- grab heart on "twice as many" - voice is losing grasp on the situation at this point
- LINE CHANGE - "Put that Audrey Two in the window where the passers-by can see. My God, I'd never have believed it." - CHANGED TO - "Put that Audrey Two on the counter for everyone to see. My God, I'd never have believed it."
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